Saturday, 29 November 2014

Alchemy - Study Circle Sitting 03- 25th Nov 2014

Study Circle 03 on 
by Titus Burckhardt  (Fons Vitae 1997, USA)

Reading Chapter 01

THE ORIGIN OF WESTERN ALCHEMY
Conducted by:
Taimoor K. Mumtaz (Director)
Raheel Ahmed (Coordinator Sacred Psychology Program)

Participants
Irshad, Mubarika, Kausar, Saba, Mehr, Bushra, Raza. 

Highlights:

- Completed Reading of Chapter 1 : The Origin of Western Alchemy
- Reading of an extract from 'Tazkira-e-Ghausiya'- the biography of Ghous Ali Shah Qalandar of Panipat.
-Extracts from Alchemy:

Extract 01
'Even more easily did the Hermetic art enter into the spiritual world of Islam. The latter was always ready in principle to recognize any pre-Islamic art which appeared under the aspect ‘wisdom’ (hikmah) as a heritage of earlier prophets. Thus in the Islamic world Hermes Trismegistos is often identified with Enoch (Idris).

It was the doctrine of the ‘oneness of existence’ (wahdat­ al-wujud)the esoteric interpretation of the Islamic con­fession of faith — which gave to Hermetism a new spiritual axis, or, in other words, re-established its original spiritual horizon in all its fullness and freed it from the suffocation of late Hellenistic ‘naturalism’.'


Extract 02
'The seventeenth century has often been regarded as mark­ing the full flowering of European Hermetism. In reality, however, its decadence had already begun in the fifteenth century, and proceeded apace with the humanistic and already fundamentally rationalistic development of West­ern thought, by which any spiritual and intuitive univer­sality of outlook was deprived of its very basis.'

Extract 03
'In general, European alchemy following the Renaissance had a fragmented character; as a spiritual art, the meta­physical background was lacking. This is especially true of its last remnants in the eighteenth century even despite the fact that, amongst all the ‘charcoal burners’, men of real genius such as Newton and Goethe concerned themselves with it though unsuccessfully.
At this point it seems opportune to state categorically that there can be no ‘freethinking’ alchemy hostile to the Church, for the first prerequisite of every spiritual art is that it should recognize everything that the human condition, in its pre-eminence and in its precariousness, needs by way of means of salvation.' 

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